The étude also involves other technical difficulties, e.g. For example, in bar 101, the left hand makes a sixteenth-note jump of just a half-step below three octaves. However, the left hand studies about four extremely large intervals, larger than those in the right hand. The two red notes are 35 half-steps apart (~46cm apart on a piano.) Fifteenth intervals are quite common in the beginning of the étude, while the sixteenth intervals appear twice, at the first thirtieth and thirty-second measures. Little time is provided for the pianist to move the hand, thus forcing the pianist to avoid tension within the muscles. Sixteenth notes are played between the two notes, and the same note is played two octaves or two octaves and a second higher with little (depending on the arrangement) no rest. The largest intervals reached by the right hand are fifteenths (two octaves) and sixteenths (two octaves and a second). As a whole, the étude can be practiced to increase dexterity and accuracy at large jumps on the piano, along with agility of the weaker fingers of the hand and muscles within the forearm and wrist. The étude is played at a gentle, brisk allegretto tempo and features constant octave hand jumps between intervals larger than one octave, sometimes even stretching for two whole octaves within the time of a sixteenth note. Incipit for 'La campanella' by Franz Liszt ( Grandes études de Paganini S.

Franz liszt la campanella